The Ao warrior shawl called the Tsungkotepsu with figures of mithun, tiger, elephant, human head, cock, Dao and spear is strikingly picturesque. Each of these figures is symbolic; mithun representswealth of the wearer, the elephant and tiger denote his prowess in hunting and the human head signifies success in taking heads. These patterns are painted in black on a white band, while the cloth itself is of dark blue colour.
Among the Changs, the unmarried boys and girls wear the Kaksi nei, while the newly married couple sport the Silang nei. Another variety of Chang shawl, the Tobu nei has zig-zag patterns in alternate red and black on a blue band.
The popular Yimchunger shawls are the Aneak khim which is black, and Mokhok khim which is white. Rongkhim, a particularly attractive variety of Yimchunger shawl, may be worn only by one who has taken heads in war, it has prominent rectangular red design, red colour signifying the blood of the enemy.
In the past it was possible to identify, by simply looking at the shawl of the wearer, the tribe he belonged to and occasionally even the group of villages he came from, his social status and the number of gennas he had performed. But nowadays this identification is not possible.
Apart from the shawl, the normal working dress is a kilt which is generally of black colour. It may be embroidered with cowries in which case it is looked upon as a distinctly male dress. The cowries are rubbed on stone before being embroidered so that they may stick well, and they are always sewn by the man using the cloth and never by his wife or anybody else. The cowrie decoration is quite popular among the Nagas and it imparts to the kilt the character of toga virility, signifying his success in love or war.